Helmed by Portishead co-founder the musician-producer, this scabrous though undernourished debut feature turns a sceptical eye on 90s rave culture. Self-serving pillhead David (the actor) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were mainly focused on number one – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Poacher arrives, fuming after David strangles his dog. Still, a darkly funny standoff unfolds – David eager to get away; the Woodsman withholding his jerrycan of cider, intent on soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Sensibility
Just a single important plot development, but it leads to a hilariously staged chaotic run on the woodland paths that dips close to folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
The film is in UK and Irish cinemas from 17 November.
